Renee – Page 4 – Renée Turner

Dieuwertje Hehewerth in conversation with Renée Turner for Pandemic

Narrative Archives, Publications, The Warp and Weft of Memory Posted by Renee

Dieuwertje Hehewerth: This letter-writing, paired with the focus on clothes, makes the research focus on, and work through, ephemeral forms. They are objects that have a transitory quality – a quality of carrying and covering – of existing as an in between. I’m curious if you see these relations? And more directly in relation to…

Folding

Projects & Research, The Warp and Weft of Memory Posted by Renee

One of the challenges of making The Warp and Weft of Memory was bringing a sense of materiality to the digital. After all, clothing and textiles are tactile. Taffetas are crisp and rustle when moved, wool is rough or soft depending on how it has been treated, and silk is smooth and light to the touch.

Opening of The Warp and Weft of Memory at H401

Narrative Archives, Projects & Research, The Warp and Weft of Memory Posted by Renee

The exhibition took place in Gisèle van Waterschoot van der Gracht, where her work still hangs. The opening took place on August 24th and the exhibition ran until October 2, 2018.

The Warp and Weft of Memory publication

Narrative Archives, Projects & Research, Publications, The Warp and Weft of Memory Posted by Renee

There are other stains too. Her sweat has turned brown with time and its acid has etched itself into her white cotton shirts and the lining of dresses.

The Warp and Weft of Memory (online narrative archive)

Narrative Archives, Projects & Research, The Warp and Weft of Memory Posted by Renee

Combining writing, photographs of her clothes, videos, and illustrations, Renée Turner reflects on her direct encounter with Gisèle’s belongings, the intimacy of the closet, and how its content reflects her life, the history of the Netherlands before, during, and after the war, women and their clothing, the privileges of class, and the persona of the female artist. While each garment has its own story, it can be woven into a larger tapestry of other narratives, past and present.

The Female Perspective

Publications Posted by Renee

The Female Perspective was the annual program curated by Nina Folkersma for Castrum Peregrini from 2017-2018. The publication featuring highlights was designed by Roosje Klap and Pauline Le Pape – who collaborate under the name Atelier Roosje Klap.

Learning Otherwise

Learning, Projects & Research Posted by Renee

This series of lectures entitled, Critically Committed Pedagogies: Learning Otherwise, examines unexpected sites and paradigms of learning, with the aim of plotting spaces for maneuverability, if not resistance or possibilities for imagining and acting otherwise in the present.

15 – 17 th of December: Women + Craft + Poetry

Narrative Archives, Projects & Research, The Warp and Weft of Memory Posted by Renee

You are cordially invited to our second Artists Weekend: a weekend full of artist talks, presentations, conversations and poetry readings, from Friday December 15 till Sunday December 17 in H401. The Artists Weekend is part of our 2017 year programme The Female Perspective, curated by Nina Folkersma. This programme focuses on issues around female identity,…

Join us for Living as Form at H401

Learning Posted by Renee

International Conference: LIVING AS FORM

First day with keynotes by: Renzo Martens, Patricia Kaersenhout and Pierluigi Sacco.
On 2nd day ‘Open Space Technology’ facilitated by Mahir Namur, with contributions by Tandem (ECF, Breg Horemans), A Sharing Academy (Merlijn Twaalfhoven), University of Utrecht, dept. Community Art: Practice and Theory (Eugène van Erven), DasArt Creative Producer (Barbara van Lindt), Willem de Kooning Academy (Renee Turner), University of the Arts Utrecht (Thera Jonker), Sandberg Institut (Thomas Spijkermann)

The House of Gisèle

Narrative Archives, Publications, The Warp and Weft of Memory Posted by Renee

My question at this moment is, were these notes to herself, just simple reminders, or were they written for someone like me, an outsider who might decipher or interpret them later?”