Folding

One of the challenges of making The Warp and Weft of Memory was bringing a sense of materiality to the digital. After all, clothing and textiles are tactile. Taffetas are crisp and rustle when moved, wool is rough or soft depending on how it has been treated, and silk is smooth and light to the touch.

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The Warp and Weft of Memory online

Combining writing, photographs of her clothes, videos, and illustrations, Renée Turner reflects on her direct encounter with Gisèle’s belongings, the intimacy of the closet, and how its content reflects her life, the history of the Netherlands before, during, and after the war, women and their clothing, the privileges of class, and the persona of the female artist. While each garment has its own story, it can be woven into a larger tapestry of other narratives, past and present.

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Presentation at Het Nieuwe Instituut: Speculative Archives

Moving through The Warp and Weft of Memory, an online archive of artist Gisèle van der Gracht’s closet, Renée Turner and Cristina Cochior will be discussing the porous border between enumeration and narration. Understanding the database as a form of writing, they will read through elements of the site and recount the making of the archive. Key to their approach is the language of weaving and the use of the Semantic MediaWiki to create a narrative tapestry.

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